2019
2020
2021
2022
2023
2024
2025
Exhibitions
Half of My Whole Life Was Just a Dream
Love Story
The Sentimentality of Something Unseen
Whānau
Remnants
The Odyssey of The Body, The Origins of Touch
Home (Away From Home)
Incase We Don’t Live Forever
Weaving A Waiata
The Future Feels Familiar Kin: A Celebration of Queer Resilience & Connnection
2020
2021
2022
2023
2024
2025
Exhibitions
Half of My Whole Life Was Just a Dream
Love Story
The Sentimentality of Something Unseen
Whānau
Remnants
The Odyssey of The Body, The Origins of Touch
Home (Away From Home)
Incase We Don’t Live Forever
Weaving A Waiata
The Future Feels Familiar Kin: A Celebration of Queer Resilience & Connnection
Remnants at Wood Street Gallery by Christopher Boots For Melbourne Design Week 2023
Reimagined imagery, repurposed photographic prints, housed in found frames displayed upon street-sourced shelves and hand-me-down display blocks. Lynx-scented roses presented in the external casings of a fleshlight.
Remnants represents an exploration by artist J Davies of the leftovers; the limitations of lust and of love. J reflects upon the moments and memories we manage to hold on to, even if over time they’ve become obscured or distorted and are now held together with duct tape.
This assemblage is made entirely from repurposed and pre existing materials, either previously created by the artist, sourced from hard rubbish or gifted from friends and family. This installation incorporates elements of J’s graduate exhibition from university in 2017 and includes photographic prints created as early as 2012.
Reimagined imagery, repurposed photographic prints, housed in found frames displayed upon street-sourced shelves and hand-me-down display blocks. Lynx-scented roses presented in the external casings of a fleshlight.
Remnants represents an exploration by artist J Davies of the leftovers; the limitations of lust and of love. J reflects upon the moments and memories we manage to hold on to, even if over time they’ve become obscured or distorted and are now held together with duct tape.
This assemblage is made entirely from repurposed and pre existing materials, either previously created by the artist, sourced from hard rubbish or gifted from friends and family. This installation incorporates elements of J’s graduate exhibition from university in 2017 and includes photographic prints created as early as 2012.